Fine Arts and Speech Department,
Gender Studies Club, & Student Life Office,
in conjunction with the South
by Southwest Faculty Art Exhibit Exchange
present
Upon Closer Inspection Secret The Transfusion
Phyllis Evans,
Professor,
“A Diversity of Interests,

Influences, & Obsessions”
A
slide/lecture presentation of the artist’s work
Wednesday, February
21, 7:00 PM
West Loop Auditorium, 5601
&
“Body Art”

Slide
presentation & discussion on various Western &
Non-Western
practices focusing on social, cultural, &
individual choices
Friday, February 23, 11:00 AM
Admission is free for
both events. For more information and directions, call the
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Board of Trustees: Yolanda Navarro
Flores, Bruce Austin, James R. Murphy, Diane Olmos guzman, Jay K. Aiyer, Dr.
Michael P. Williams, Abel Davila, Christopher W. Oliver, Richard Schechter,
Interim chancellor Norm Nielsen, Ph.D.; Interim President Winston Dahse,; Academic Dean Neal Tannanhill, Ph. D., Dean
of student Activities James Shippy.
About Our Guest
Artist, Phyllis Evans
An artist since childhood, Phyllis Evans grew up near
Evans, who sees herself as a teacher at heart, always wanted
to teach at the college level. She considers teaching to be equal in importance
to her studio work. She currently teaches Art Appreciation, Art History,
Drawing, Design, and Digital Art at
Phyllis Evans derives her creative inspiration from living
in
Evans is exhibiting with her colleagues from
About Her
Presentations, both of which are free and open to students, faculty, and the
public:
Wednesday, February
21, 7:00 PM,
“Phyllis Evans: A
Diversity of Interests, Influences, and Obsessions”
This lecture is based on work done over the past 10 years or so. The imagery has changed, but the same themes keep cycling in and out. One idea leads to another. Evans will talk about the creative process and how unexpected and seemingly insignificant aspects of the work can open doors to something quite important. She will show her successes as well as the “not so successful.” The emphasis is on the creative process and the value of everything an artist does in his or her studio practice. “I think sometimes the failures in the studio are important because of the ability to lead to successes.” She will include a mini-art history lesson showing the influences from Baroque to Neo-Expressionism, from the Spanish Colonial to Pop, from Dada and Surrealism to 19th century graphic design. We will see the influence of Mexican kitsch and vintage post cards. Themes range from personal to political, social to cultural, exploring inter-human behaviors, oppression, gender, and class inequities, and the subversion of meaning through irrational juxtapositions of forms. Technical issues of the work process will also be addressed. Evans’ work is a mixed media combination of drawing, digital, encaustic, and oil paint.
Friday, February 23,
11:00 AM,
“Body Art”
Although this lecture is primarily geared toward art students, those in Gender and Women’s Studies, Literature, Psychology, Sociology, Anthropology, History, Political Science, Anatomy and Physiology, Philosophy, Humanities, and many other areas of study might find the topic fascinating. Evans discusses all forms of body adornment and manipulation including non-invasive practices like cosmetics and body painting, to invasive practices which consist of hard tissue manipulation including bone elongation, amputation, and cosmetic surgery. Tattooing, scarification, and piercing are the soft tissue manipulations addressed. She focuses on the social/cultural/individual reasons for engaging in these practices. The biggest emphasis is on comparing Western and Non-Western practices and how the motivations differ. Phyllis Evans will be open to questions and discussion during the presentation.